blakevision

Thanks to Bill Thompson for documenting the launch of SONGS. A historic moment certainly, thrilling viewing maybe not. Tim Wright and Tim Heath joined us later.

toby jones reads william blake on work

FILMED ON NATIONAL POETRY DAY 2008 BY SASHA HOARE

The Chimney Sweeper



When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry ‘weep, weep, weep, weep,’
So your chimneys I sweep & in soot I sleep.

There’s little Tom Dacre who cried when his head,

That curl’d like a lamb’s back, was shav’d: so I said,

‘Hush, Tom, never mind it, for when your head’s bare,
You know that the soot cannot spoil your white hair.’

And so he was quiet, & that very night,

As Tom was a sleeping, he had such a sight,

That thousands of sweepers, Dick, Joe, Ned & Jack,

Were all of them lock’d up in coffins of black.

And by came an Angel who had a bright key,

And he open’d the coffins & set them all free;

Then down a green plain, leaping, laughing, they run,

And wash in a river, and shine in the Sun.

Then naked & white, all their bags left behind,

They rise upon clouds, and sport in the wind;
And the Angel told Tom, if he’d be a good boy,

He’d have God for his father & never want joy.

And so Tom awoke, and we rose in the dark,

And got with our bags & our brushes to work.

Though the morning was cold, Tom was happy & warm;

So if all do their duty they need not fear harm.

The Chimney Sweeper



A little black thing among the snow,
Crying ‘weep, weep,’ in notes of woe!
‘Where are thy father & mother, say?’
‘They are both gone up to the church to pray.

‘Because I was happy upon the heath,

And smil’d among the winter’s snow,

They clothed me in the clothes of death,

And taught me to sing the notes of woe.

‘And because I am happy, & dance & sing,

They think they have done me no injury,

And are gone to praise God & His Priest & King,

Who make up a heaven of our misery.’



Holy Thursday


Is this a holy thing to see
In a rich and fruitful land,
Babes reduc’d to misery,
Fed with cold and usurous hand?

Is that trembling cry a song?

Can it be a song of joy?

And so many children poor?

It is a land of poverty!

And their sun does never shine,

And their fields are bleak & bare,

And their ways are fill’d with thorns:
It is eternal winter there.

For where’er the sun does shine,

And where’er the rain does fall,

Babe can never hunger there,

Nor poverty the mind appall.


London



I wander thro’ each charter’d street
Near where the charter’d Thames does flow,
A mark in every face I meet,
Marks of weakness, marks of woe.

In every cry of every Man,

In every Infant’s cry of fear,

In every voice, in every ban,

The mind-forg’d manacles I hear.

How the Chimney-sweeper’s cry

Every black’ning Church appalls,

And the hapless Soldier’s sigh

Runs in blood down Palace walls.

But most thro’ midnight streets I hear

How the youthful Harlot’s curse

Blasts the new born Infant’s tear,

And blights with plagues the Marriage hearse.

I happy am,/Joy is my name.'/Sweet joy befall thee

Yesterday we wandered thro' the charter'd streets of Central London talking to people about work and Blake and poetry, then met at the Poetry Cafe for fascinating conversation, favourite Blake and the first site of Bill Thompson's Blake-in-a-Box.
More of all this soon with film. For now some photos:



Bill shows the Blake netbook to writer Lisa Gee, actor Toby Jones and professor Sue Thomas.



Digital writer Tim Wright and Tim Heath, chair of the Blake Society.



Sasha Hoare and Lisa Gee filming






Toni LeBusque talks to Sasha. And here's the drawing Toni created while we spoke